Frieze Los Angeles is a leading international art fair that was launched in 2019. Christine Messineo is the Director of Frieze Los Angeles and Frieze New York. Frieze Los Angeles largely focuses on contemporary art and celebrates the exceptionally dynamic culture of Los Angeles and its global contributions to the visual arts. Following two sold-out editions, the fair will return from February 17-20, 2022 in a new location in the heart of Beverly Hills. Situated at 9900 Wilshire Boulevard, adjacent to the Beverly Hilton Hotel, the new location will see the fair occupy a prime position between the Hammer Museum and the Wallis Annenberg Center for the Performing Arts. The fair will be hosted in a bespoke structure designed by WHY Architecture’s Creative Director, Kulapat Yantrasast, and Landscape Director, Mark Thomann. Bringing together over 100 of the most significant galleries from LA and around the world, the fair experience will be completed by Frieze Week events across the city. This year, Focus LA, the section of the fair dedicated to galleries aged 15 years or younger will be curated by Amanda Hunt (Director of Public Programs & Creative Practice, Lucas Museum of Narrative Art) and feature 11 of the city’s defining young galleries. The 2022 edition of the fair will also see the debut of Frieze Sculpture Beverly Hills, a public art initiative that has previously been realized in both London and New York. Featuring major installations by artists that work on a monumental scale, Frieze Sculpture Beverly Hills is free and open for all to attend and will take place at Beverly Gardens Park, supported by the City of Beverly Hills.
The 2020 edition of the fair, which was held at Paramount Pictures Studios, welcomed 35,000 visitors and featured 75 local and international galleries in addition to an Artist Street Fair as well as unique artist commissions as part of Frieze Projects.
Özgür Kar (b. 1992, Ankara, Turkey) lives and works in Amsterdam. He is a graduate of the Gerrit Rietveld Academie and the Rijksakademie van Beeldende Kunsten, Amsterdam.
Katja Seib (b. 1989, Dusseldorf) graduated from Dusseldorf Kunstakademie with an MFA in painting in early 2016. Working figuratively, Seib paints directly onto canvases of raw hessian fabric using photographs on her phone. Through a combination of technologically-mediated imagery, a fascination with surface pattern and texture, and a self-conscious glance back to the histories of her medium, Seib creates works that are simultaneously familiar and strange, combining a subtle interplay of texture and image with deft brushwork and a meticulous attention to detail.
Oculua: Katja SeibRobert Michael Mapplethorpe was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images.
Robert Mapplethorp on WikipediaShilpa Gupta (b.1976) is an artist from Mumbai, India.[1] She received her BFA in sculpture from the Sir J. J. School of Fine Arts in 1997. Her mediums range from manipulated found objects to video, interactive computer-based installation and performance.[2]
Cosima von Bonin is a German contemporary artist. von Bonin’s practice features the use of sculptures, textiles, sound, film and performances. von Bonin draws inspiration from the intellectual, artistic, and musical culture of her neighborhood in Cologne, Germany, where she lives and works.
Paulina Olowska was born in 1976 in Gdansk, Poland, and lives and works in Rabka Zdroj and Krakow, Poland. She has had one-person exhibitions at Kunsthalle Basel; the Stedelijk Museum, Amsterdam; and the Zacheta National Gallery of Art, Warsaw.
Olowska received the prestigious Aachen Art Prize in 2014, with an associated exhibition at the Ludwig Forum for International Art, Aachen, Germany. She has also staged performances at Tate Modern, the Carnegie International, and the Museum of Modern Art, New York. Olowska presented the ballet “Slavic Goddesses—A Wreath of Ceremonies” at the Kitchen, New York, in 2017 and “Slavic Goddesses and The Ushers” at the Museo del Novecento in Milan in 2018. Her work was featured in the 2017 National Gallery of Victoria Triennial in Melbourne and the 2018 Liverpool Biennial, as well as in group exhibitions at the Museum of Modern Art, Warsaw; mumok, Vienna; Hamburger Kunsthalle, Hamburg; Migros Museum Für Gegenwartskunst, Zürich; and the New Museum, New York.
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